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Medical Forum / General / Vision / August 2005

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Widescreen TV is rubbish!!

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Donald McTrevor - 19 Aug 2005 00:08 GMT
Yes.

Is there any eveidence to show widescreen TV (16:9 aspect ratio, or worse)
is better than 'normal TV' (4:3).

I don't believe there is.

Also am I correct in my belief that normal human vision is 'round', possibly
4:3,
certaintly not 16:9 or any of the more ridiculous ratios available 2:35:1
etc.

Thanks Trev.
Mike Tyner - 19 Aug 2005 00:35 GMT
It's more an artistic question than a physiological one. You're saying
wide-screen theater formats like Cinemascope are what, wasted?

Some aspects of human vision (eg "Panum's fusional area") favor a horizontal
panorama, but it's presumably because our prey spreads out horizontally, so
our eyes are spaced horizontally instead of vertically.

I think 4x3 is pretty limiting, myself. Ask a photographer - he loses a
horizontal third of his work when a normal 35mm photo appears on standard
TV. A cinematographer loses about half his canvas unless it's letterboxed.

-MT
Donald McTrevor - 19 Aug 2005 13:43 GMT
> It's more an artistic question than a physiological one.

Rubbish, even if it were there is nothing 'artistic' about peering through
a letter box.

>You're saying
> wide-screen theater formats like Cinemascope are what, wasted?

Yes utter garbage.

> Some aspects of human vision (eg "Panum's fusional area") favor a horizontal
> panorama, but it's presumably because our prey spreads out horizontally, so
> our eyes are spaced horizontally instead of vertically.

Not sure what that garbage means.

> I think 4x3 is pretty limiting, myself. Ask a photographer - he loses a
> horizontal third of his work when a normal 35mm photo appears on standard
> TV.

Rubbish, why would he be using 35mm film in the first place?

> A cinematographer loses about half his canvas unless it's letterboxed.

Rubbish, if they were willing to build 50 metre high cinemas he could
have as much 'canvas' as he liked. Gonna make the cinema rather expensive
though,

> -MT
Mike Tyner - 19 Aug 2005 14:01 GMT
>> Some aspects of human vision (eg "Panum's fusional area")
>> favor a horizontal
[quoted text clipped - 3 lines]
>
> Not sure what that garbage means.

So you don't.

Pardon me. I was looking for some physiological reason to agree with you.

There isn't any.

-MT
Donald McTrevor - 19 Aug 2005 14:50 GMT
> >> Some aspects of human vision (eg "Panum's fusional area")
> >> favor a horizontal
[quoted text clipped - 9 lines]
>
> There isn't any.

You are wrong. There are plenty.
For a start our field of binocular vision is taller than it is wide - fact.

> -MT
Robert Redelmeier - 19 Aug 2005 16:25 GMT
> For a start our field of binocular vision
> is taller than it is wide - fact.

Lots of heat and very little light.

What numbers are you using?  With or without eye movement?

-- Robert
Donald McTrevor - 19 Aug 2005 19:29 GMT
> > For a start our field of binocular vision
> > is taller than it is wide - fact.
>
> Lots of heat and very little light.
>
> What numbers are you using?  With or without eye movement?

With, without it round.

> -- Robert
Donald McTrevor - 19 Aug 2005 13:47 GMT
> It's more an artistic question than a physiological one. You're saying
> wide-screen theater formats like Cinemascope are what, wasted?
[quoted text clipped - 6 lines]
> horizontal third of his work when a normal 35mm photo appears on standard
> TV.

He should be using a digital camera which is 4:3.

> A cinematographer loses about half his canvas unless it's letterboxed.
>
> -MT
Robert Redelmeier - 19 Aug 2005 14:11 GMT
> It's more an artistic question than a physiological one. You're
> saying wide-screen theater formats like Cinemascope are what, wasted?

I can hardly imagine this.  I'm fairly certain the studios
did some research about audience preferences before switching.
Of course, image size and seating area may also have played into it.
And there are some film savings in wider formats.

> Some aspects of human vision (eg "Panum's fusional area") favor
> a horizontal panorama, but it's presumably because our prey
> spreads out horizontally, so our eyes are spaced horizontally
> instead of vertically.

A good point.  Many species with non-binocular vision would probably
prefer wide-screen :)  

Personally, I like wide-screen for vistas, panoramas or scenes where
the action is mostly horizontal.  But they are poor for face shots
and horrible when the action is mostly vertical.

> I think 4x3 is pretty limiting, myself. Ask a photographer -
> he loses a horizontal third of his work when a normal 35mm photo
> appears on standard TV.

Hardly.  The normal 35mm image is 36mm x 24mm  on the negative,
or 4.5x3 .  In the unusual case of 35mm still to TV, 11% of the
original is cropped (horizontally).

> A cinematographer loses about half his canvas unless it's
> letterboxed.

16x9 = 5.33 x 3 .  This loses 25% to 4x3 .

-- Robert
Donald McTrevor - 19 Aug 2005 14:42 GMT
> > It's more an artistic question than a physiological one. You're
> > saying wide-screen theater formats like Cinemascope are what, wasted?
[quoted text clipped - 11 lines]
> A good point.  Many species with non-binocular vision would probably
> prefer wide-screen :)

Our field of binocular vision is taller then it is wide so  you are wrong.

> Personally, I like wide-screen for vistas, panoramas or scenes where
> the action is mostly horizontal.

What you like a widescreen for wide images and a tall screen for
tall images, how sophisticated!!
Obviously the average of all images is round which is why our eyes
see a round image, round pupil, iris lens, fovea macular etc.....
No widescreen components whatsoever.

> But they are poor for face shots
> and horrible when the action is mostly vertical.
[quoted text clipped - 13 lines]
>
> -- Robert
Scott Seidman - 19 Aug 2005 14:56 GMT
> Our field of binocular vision is taller then it is wide so  you are
> wrong.
[quoted text clipped - 7 lines]
> see a round image, round pupil, iris lens, fovea macular etc.....
> No widescreen components whatsoever.

Boy, you've chosen a rather trivial topic to get so argumentative about.  
It kind of pleases me that as time advances, you'll get more and more
annoyed when you buy a TV.

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Scott
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Donald McTrevor - 19 Aug 2005 19:31 GMT
> > Our field of binocular vision is taller then it is wide so  you are
> > wrong.
[quoted text clipped - 11 lines]
> It kind of pleases me that as time advances, you'll get more and more
> annoyed when you buy a TV.

Doubt it 4:3 sets will always be available for serious stuff.
I watch all programs in 4:3 pan anyway.
Scott Seidman - 19 Aug 2005 14:53 GMT
Robert Redelmeier <redelm@ev1.net.invalid> wrote in news:kUkNe.3040
$r54.2354@newssvr19.news.prodigy.com:

> 16x9 = 5.33 x 3 .  This loses 25% to 4x3 .
>
> -- Robert

Common movie film ratios are 2.35:1 and 1.85:1.  That's probably what was
being referred to.

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Scott
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Robert Redelmeier - 19 Aug 2005 16:22 GMT
>> 16x9 = 5.33 x 3 .  This loses 25% to 4x3 .
>>
> Common movie film ratios are 2.35:1 and 1.85:1.  
> That's probably what was being referred to.

Perhaps, but they are 7.05x3 and 5.55x3 .
Losses to 4x3 are 43% and 28% respectively.

-- Robert
Scott Seidman - 19 Aug 2005 16:29 GMT
Robert Redelmeier <redelm@ev1.net.invalid> wrote in news:yOmNe.4744$Hn3.635
@newssvr23.news.prodigy.net:

>>> 16x9 = 5.33 x 3 .  This loses 25% to 4x3 .
>>>
[quoted text clipped - 5 lines]
>
> -- Robert

I'd call 43% "about half"

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Donald McTrevor - 19 Aug 2005 19:33 GMT
> Robert Redelmeier <redelm@ev1.net.invalid> wrote in news:yOmNe.4744$Hn3.635
> @newssvr23.news.prodigy.net:
[quoted text clipped - 10 lines]
>
> I'd call 43% "about half"

Don't forget the half they lost during filming when either the top
or bottom (take your pick) of the picture was masked off.
George - 19 Aug 2005 13:39 GMT
> Yes.
>
> Is there any eveidence to show widescreen TV (16:9 aspect ratio, or worse)
> is better than 'normal TV' (4:3).
>
> I don't believe there is.

> Thanks Trev.

You might try posting this question to alt.tv.tech.hdtv.  There are
quite a few who think that 16:9 is better than 4:3 based on observations
with our eyes.

After having a beautiful large screen Sony Wega (4:3) for a few years, I
switched to a 37 inch Sharp Aquos flat panel 16:9 hdtv LCD some months
ago. It only took a second or two to realize that 4:3 was very limiting
compared to the Aquos hdtv. I viewed them side by side for a few days to
compare. Then I shipped the Sony off to my sister in Florida as I could
not bear to watch it anymore. She loves it, but has not seen 16:9 yet!!

George
Donald McTrevor - 19 Aug 2005 13:55 GMT
> > Yes.
> >
[quoted text clipped - 8 lines]
> quite a few who think that 16:9 is better than 4:3 based on observations
> with our eyes.

I doubt there reasoning is sound.

> After having a beautiful large screen Sony Wega (4:3) for a few years, I
> switched to a 37 inch Sharp Aquos flat panel 16:9 hdtv LCD some months
> ago. It only took a second or two to realize that 4:3 was very limiting
> compared to the Aquos hdtv. I viewed them side by side for a few days to
> compare. Then I shipped the Sony off to my sister in Florida as I could
> not bear to watch it anymore. She loves it, but has not seen 16:9 yet!!

So what is it you like about viewing the world through a letter box?
I mean do you put a cardboard box on your head with a letter shaped
slit cut out of it so you can enjoy the 'less limiting' view widescreen
gives
you? And if not why not? I mean why not have widescreen all the time?

> George
George - 19 Aug 2005 17:10 GMT
> So what is it you like about viewing the world through a letter box?
> I mean do you put a cardboard box on your head with a letter shaped
> slit cut out of it so you can enjoy the 'less limiting' view widescreen
> gives you? And if not why not? I mean why not have widescreen all the time?

You either a dope or are a troll.  In either case....

PLONK!!!

George
Sibirer - 21 Aug 2005 08:48 GMT
Your "normal TV" is just a compromise made back in the 1940s to allow
broadcast TV to be transmitted with the limited bandwidth available at the
time. It was a tradeoff giving up alot of the information content of current
movies to allow the image to be broadcast with technology of the time. Color
was added in later since the extra bandwidth was allowed for.

It always has been a poor replica of what is achieved in a properly
formatted movie viewed in a theater. It was born of technical restrictions
and should die along with the same long since surpassed broadcast
restrictions.

Any young child will be able to help you verify that you see best from side
to side, and not so well up and down. Parents know this by the time their
first child is 18 months old.

Hunters will also know this.

16:9 is a good approximation of how we see the world. We don't see the
details on the sides unless we turn our eyes, but the shapes and motions are
very much in our field of instinctual interest. The brain fills in details
until we either glance to the side or the object enters the central sharp
focus.

Maybe you've been glued to the old boob tube for too long and have forgotten
how the brain normally sees the world!

Carl

>> > Yes.
>> >
[quoted text clipped - 26 lines]
>
>> George
y_p_w - 21 Aug 2005 18:36 GMT
> Your "normal TV" is just a compromise made back in the 1940s to allow
> broadcast TV to be transmitted with the limited bandwidth available at the
[quoted text clipped - 18 lines]
> until we either glance to the side or the object enters the central sharp
> focus.

I did a little test where I brought my hand out, and I approximate
about a 3:1 (horizontal:vertical) field of vision. Most days I wear
glasses with oval lenses, so my usuable field of vision is also about
3:1.

As for another argument in this thread, anamorphic film allows the
entire 1.37:1 35 mm film frame to contain information to be displayed
in a wider aspect ratio.  I've seen some previews where the projector
hadn't been modified with the anamophic lens and everything looked
thin until the projectionist popped the lens in.

I've heard of the effects of "soft matting".  Some poorly produced
video transfers were done with the full film frame.  The result was
visible cables or boom mikes that were designed to be matted out
on final display.

<http://en.wikipedia.org/wiki/35mm_film>

> Maybe you've been glued to the old boob tube for too long and have forgotten
> how the brain normally sees the world!

I think we've found someone here to argue for the sake of argument.
Donald McTrevor - 23 Aug 2005 15:13 GMT
> Your "normal TV" is just a compromise made back in the 1940s to allow
> broadcast TV to be transmitted with the limited bandwidth available at the
[quoted text clipped - 14 lines]
>
> 16:9 is a good approximation of how we see the world.

WRONG!!!! our field of vision is 4:3 which is the ratio of our
horizontal and vertical fields.
16:9 is just the shape a a television set, sort of half way between a proper
TV set and a cinemascope (or whatever) 2:35:1 picture, nothing more than
that, a compromise or a fudge, its basically ugly and useless.
You obviously don't know the facts to start with so its not worth
commentating
on the rest of your 'post'.

> We don't see the
> details on the sides unless we turn our eyes, but the shapes and motions are
[quoted text clipped - 37 lines]
> >
> >> George
Mike Tyner - 23 Aug 2005 15:37 GMT
> You obviously don't know the facts to start with so its not worth
> commentating on the rest of your 'post'.

Yeah. I'm seeing too much when I drive. I should paint the side windows
black, and paint the edges of the windshield so I only see 4:3.

-MT
Donald McTrevor - 24 Aug 2005 16:37 GMT
> > You obviously don't know the facts to start with so its not worth
> > commentating on the rest of your 'post'.
>
> Yeah. I'm seeing too much when I drive. I should paint the side windows
> black, and paint the edges of the windshield so I only see 4:3.

NO YOU NEED AN OPEN TOP CAR TO GET CLOSER TO 4:3

> -MT
Mike Tyner - 25 Aug 2005 21:52 GMT
> NO YOU NEED AN OPEN TOP CAR TO GET CLOSER TO 4:3

And you need to tape one eye shut.

Do you have problems, where you live, with planes falling out of the sky?

-MT
Albert Grennock - 26 Aug 2005 17:24 GMT
> > NO YOU NEED AN OPEN TOP CAR TO GET CLOSER TO 4:3
>
> And you need to tape one eye shut.

My eyes work as a pair and focus on point,  the image is circular.
If you have anything other than a circular image I suggest you see
an eye specialist, either that or quit drinking.

> Do you have problems, where you live, with planes falling out of the sky?

No, why is it a problem in you locality?

> -MT
William Stacy - 19 Aug 2005 19:45 GMT
> Also am I correct in my belief that normal human vision is 'round', possibly
> 4:3,
> certaintly not 16:9 or any of the more ridiculous ratios available 2:35:1
> etc.

Actually, normal binocular human vision is about 190 degrees
horizontally and about 60 degrees vertically, roughly ellipical in shape.

So the best TV shape would be a big ellipse that is larger than the
largest wall in your TV room, so it would have to wrap partway around
the adjacent walls.

Add surround sound and I'll pay way more than a theater ticket to come
visit and see Star Wars on it...

w.stacy, o.d.
Scott Seidman - 19 Aug 2005 20:04 GMT
William Stacy <wstacy@obase.net> wrote in news:6NpNe.149$Ux3.108
@newssvr21.news.prodigy.com:

> Actually, normal binocular human vision is about 190 degrees
> horizontally and about 60 degrees vertically, roughly ellipical in shape.

Well, 190 degrees, with a binocular field of about 120 degrees.

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Donald McTrevor - 20 Aug 2005 01:24 GMT
> > Also am I correct in my belief that normal human vision is 'round', possibly
> > 4:3,
[quoted text clipped - 12 lines]
>
> w.stacy, o.d.

your post is rubbish - end of.
Sven Golly - 23 Aug 2005 21:30 GMT
> Actually, normal binocular human vision is about 190 degrees
> horizontally and about 60 degrees vertically, roughly ellipical in
> shape.

The average is about 70 - 90 vertical and 80 - 110 horizontal for a single
eye. Total field of vision is about 160 - 180 degrees horizontal.

And this whole thread is one big troll.

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William Stacy - 23 Aug 2005 22:03 GMT
The why didn't you let it die, like it almost had?  (And you are wrong,
the total horizontal field is closer to 190 deg of arc).

w.stacy, o.d.

>  
>
[quoted text clipped - 9 lines]
>
>  
Donald McTrevor - 24 Aug 2005 17:26 GMT
You areboth wrong, for binocular vision, where *both* eyes can focus on the object the
field is about 120 degrees because you lose about 30 degrees on each side where only
one eye can see.  The other eyes view is blocked by the bridge of your nose. And that 120
degrees is at the lowest point in the 'dip' at the top of your nose, if you look up or down a little
the view restricted even futher. You vertical  field of binocular vision is about 130 degrees.
The quote of 60 degres of vertical binocular vision is ludicrous!!
 The why didn't you let it die, like it almost had?  (And you are wrong, the total horizontal field is closer to 190 deg of arc).

 w.stacy, o.d.

 Sven Golly wrote:

William Stacy <wstacy@obase.net> wrote in
news:6NpNe.149$Ux3.108@newssvr21.news.prodigy.com:

 Actually, normal binocular human vision is about 190 degrees
horizontally and about 60 degrees vertically, roughly ellipical in
shape.
   
The average is about 70 - 90 vertical and 80 - 110 horizontal for a single
eye. Total field of vision is about 160 - 180 degrees horizontal.

And this whole thread is one big troll.

 
William Stacy - 24 Aug 2005 17:57 GMT
Who said anything about "binocular" field?  Total field is what I said,
and is 190 degrees.  I will admit to a typo error on the vertical, which
is pretty dependent on how far your eyebrows protude and how high your
cheekbones are, you neanderthal you...

w.stacy, o.d.

> You areboth wrong, for binocular vision, where *both* eyes can focus
> on the object the
[quoted text clipped - 7 lines]
> vision is about 130 degrees.
> The quote of 60 degres of vertical binocular vision is ludicrous!!

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