>> filter just makes it far more noticable. Add a second polarizing filter
>> and cross it 90 degrees from the lens and you'll see a major show since
[quoted text clipped - 6 lines]
>
> -MT
> in article zUVxd.7557$yK.201@newsread3.news.atl.earthlink.net, Mike Tyner
> at
[quoted text clipped - 9 lines]
>> the
>> heat of edging that depolarizes the film?
A diamond wheel or a overpriced router bit chewing away at the edges of a
lens introduces alot of stress and heat. The laminated lenses often
separated after being subjected to such torture and then clamped into a
metal frame and exposed to environmental variations. The new cast in mold
designs are better, but I believe even they display some stress /heat issues
at the edges due to the grinding. I've seen too many issues of mid and high
index clear lenses being strange to look through near the edges when there
was an issue like a sharp angle or overly tight fit involved.
>> -MT
>>
[quoted text clipped - 8 lines]
> on
> the dichroism.
The filter is still iodide crystals aligned in a PVA film. Manufacturers
used to laminate the blanks like a sandwich, but the mayo proved to be the
undoing. They delaminated often and caused problems in edging when the glues
were sometimes significantly harder than the CR-39 lens. The old Weco 440
edgers used to have a devil of a time with some brands that will go
unmentioned. The newer CR-39 and mid index lenses are "cast in place" where
the film is positioned prior to the introduction of the monomer/accelerant
mix. This has eliminated most of the delamination problems and even reduced
stress levels in the finished product. Some high index materials and poly
still use the lamination method.
The rainbow (including clear and black, which are just localized extremes,)
patterns produced in lenses usually are attributed to stresses in the
surrounding lens material and not the polarizing film itself. Polycarbonate
in particular is known to have a severe birefringence issue due to it's
manufacture process of injection molding. Add the stress patterns from the
lens being 1/20th of a mm too large or too rounded for an angular frame and
we get a new set of stress waves. Out of true wheels or bits on the edger
can add to the stress or heat.
> On the other hand, the material in the middle of the sandwich is likely to
> be nominally isotropic. In that case, stress/strain can easily introduce
> enough birefringence to affect what is seen between polarizers.
We've used a polariscope to check the annealing/ tempering patterns in glass
lenses for decades. A properly heat tempered glass lens produced a dark
Maltese cross pattern with a dark edge around the perimeter of the lens.
Extra artifacts would often show pressure points that needed to be addressed
before shipping the glasses to prevent future failure due to flaws.
> One way of checking this out would be to look at the transmission of light
> as a function of radius through the polarizing film with a
> spectrophotometer. A chemical change should be readily observable.
Probably definitive on the issue if someone has the resources to pursue it,
but beyond the local ophthalmic shop. I still lean towards the polarizing
filter showing the stresses inherent in the medium it's suspended in.
> Bottom line: I would look at the sandwich filling as producing the light
> transmission rather than at the slices of bread.
Maybe even consider the Mayo if the bread is fine! This would only apply to
laminated lenses, however.
Carl
> Bill