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Medical Forum / General / Dentistry / November 2005

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Crown or Fill?

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Alan Cohen - 02 Nov 2005 13:30 GMT
I'm looking for some advice from this esteemed group...

I had a small filling in one of my front teeth, which popped out, taking
a nice triangular chunk of tooth with it; I put up a lovely out-of-focus
picture at:

http://cobelle.org/node/1

My dentist has tried to fill it twice, but both times the replacement
popped out pretty quickly (one in 24 hours, one in a few weeks, even
though I was being careful with it).

My question: is it reasonable to expect a filling to hold here?  Or
should I go with a crown?

Thanks!

Al
Amatus Cremona - 02 Nov 2005 14:28 GMT
> My question: is it reasonable to expect a filling to hold here?  Or
> should I go with a crown?

You should be able to get a filling to stay there very well.  You may need
to have the way your teeth "bite" adjusted first.  You may also need to wear
a small appliance at night while you sleep.  Your dentist needs to look for
the latero-protrusive bracing positions where you work this spot with the
lower tooth and carefully recontour some teeth.

Signature

/

Amatus

/

> I'm looking for some advice from this esteemed group...
>
[quoted text clipped - 14 lines]
>
> Al
Dartos - 02 Nov 2005 18:48 GMT
I agree with AC.  I've placed many 'fillings' that are this
large with years of success.  Beveling the margins and
veneering the whole tooth (with composite) adds more retention.

Careful bite adjustment and an NTI would sure help.

Dartos

>>My question: is it reasonable to expect a filling to hold here?  Or
>>should I go with a crown?
[quoted text clipped - 4 lines]
> the latero-protrusive bracing positions where you work this spot with the
> lower tooth and carefully recontour some teeth.
Amatus Cremona - 02 Nov 2005 19:16 GMT
> Careful bite adjustment and an NTI would sure help.

I could be all wrong on this case, but being as it fell off so soon, I would
be very suspicious of the need for an occlusal adjustment.  And, NTI after
that.  If I looked in the back and saw 2 or more crowns, and some
questionable filings, I would be discussing parafunction real quick.

Signature

/

Amatus

/

>
> I agree with AC.  I've placed many 'fillings' that are this
[quoted text clipped - 13 lines]
>> to look for the latero-protrusive bracing positions where you work this
>> spot with the lower tooth and carefully recontour some teeth.
StovePipe - 04 Nov 2005 07:00 GMT
Now, hold on there, guys: Look closely at that photo: Do youse see any
white stuff inside the mouth? _I_ sure don't.... He ain't got no
posteriors....

The point is that I've seen a few of these cases here myself: they ALL
complain that the front tooth filling falls off, while expecting to be
able to hang the WHOLE mouth occlusion on the remaining three or six
anterior teeth at the most. If this person has _NO_ posterior teeth, as
I suspect is the real problem, I'd be saying to get a crown. Even then,
he'd be taking a chance. An NTI would be mandatory if he wants me to
warranty the case for two years.

If not, the next step is another broken filling, as there is surely a
deep bite, limiting the Labio-lingual thickness for the filling
material, and thus limiting its strength. He is not going to pay for
opening the bite, or he would not even be posting this pinch-penny
question.

So, in a nut-shell: I say he has posterior collapse or posterior
incompetance, necessitating a crown and an NTI with no guarantees.

He has to understand that one will be addressing the result of the
problem without addressing the cause.
JMO
SP

> > Careful bite adjustment and an NTI would sure help.
>
> I could be all wrong on this case, but being as it fell off so soon, I would
> be very suspicious of the need for an occlusal adjustment.  And, NTI after
> that.  If I looked in the back and saw 2 or more crowns, and some
> questionable filings, I would be discussing parafunction real quick.

> Amatus
>
[quoted text clipped - 16 lines]
> >> to look for the latero-protrusive bracing positions where you work this
> >> spot with the lower tooth and carefully recontour some teeth.
W_B - 04 Nov 2005 17:26 GMT
Good catch Pipey, didn't notice that.
Tunnel Vision.

>Now, hold on there, guys: Look closely at that photo: Do youse see any
>white stuff inside the mouth? _I_ sure don't.... He ain't got no
[quoted text clipped - 49 lines]
>> >> to look for the latero-protrusive bracing positions where you work this
>> >> spot with the lower tooth and carefully recontour some teeth.

--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Amatus Cremona - 04 Nov 2005 23:24 GMT
>Good catch Pipey, didn't notice that.
>Tunnel Vision.

Stoveperson May be right, but I cannot tell from the image. I would
expect more incisal wear if there were no posteriors.

Amatus

>Good catch Pipey, didn't notice that.
>Tunnel Vision.
[quoted text clipped - 52 lines]
>>> >> to look for the latero-protrusive bracing positions where you work this
>>> >> spot with the lower tooth and carefully recontour some teeth.

..

Amatus

.
StovePipe - 05 Nov 2005 01:01 GMT
Stoveperson May be right, but I cannot tell from the image. I would
expect more incisal wear if there were no posteriors.

Amatus
============

Depends on the inter-arch relation, I would say. Either you get a deep
bite, splaying of the
anterior superior teeth, or wear if the patient functions edge edge.
I'd like to see what the
cingulum area of this incisor looks like. I'd be willing to bet he has
no cingulum left, and quite
a bit of wear on the palatal side, as he is using this tooth as an
inciso-molar.

"Well, I GOTTA do that.... I can't wear a partial, 'cuz it'll make me
wretch, I just KNOW it..."

Sorry to be so negative, but I am at the point where I have NO sympathy
left for those types of
patients. I will not support them because they will not support
themselves.

SP
StovePipe - 05 Nov 2005 00:06 GMT
W_B wrote-ed:

6. W_B

Good catch Pipey, didn't notice that.
Tunnel Vision.
==========

I live it every day... The land of the cheap.....
When in doubt; whip it out.... To Hell with the consequences...
We'll eat like cows on our front teeth for the rest of thier lives....
... And we'll even joke about it....
If you ever get the chance: look at some Québecois music videos...
Look at the close-ups of the singers...
Jeez: those NTI's are EXPENSIVE....

Fine.... but _I_ am not going to guarantee the results on the
consequences of those decisions.

Youse, on the other hand, live in the land of $$$$ and 'Yes, we'll find
a way to pay Junior's teeth'

Different mind-set.

<the Pipe bites another piece of the cigar off...>
SP
W_B - 07 Nov 2005 17:13 GMT
>Youse, on the other hand, live in the land of $$$$ and 'Yes, we'll find
>a way to pay Junior's teeth'
[quoted text clipped - 3 lines]
><the Pipe bites another piece of the cigar off...>
>SP

I've known several dentists who had a prosthetics
based practice. Rather succesful too.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
StovePipe - 08 Nov 2005 04:29 GMT
I've known several dentists who had a prosthetics
based practice. Rather succesful too.
W_B
==============

If it came to that, I'd go get some continuing ed to learn to do
prostheses quickly and effeciently. As it it, ew do good work in that
area, but it takes too damn long to make any money with it.

<The Pipe stuffs the rest of the (lit) cigar up his nose....>
SP
W_B - 08 Nov 2005 17:56 GMT
>I've known several dentists who had a prosthetics
>based practice. Rather succesful too.
[quoted text clipped - 7 lines]
><The Pipe stuffs the rest of the (lit) cigar up his nose....>
>SP

There are some key steps in dental prosthetics.

A great impression, a great lab, and a good design.

Have had the same prosth. lab for 17 year, he ain't
cheap but our remakes over the years are less than
a dozen.

What does continuing ed have to do with it ?
Didn't they teach this in Kanadian Dental ?

What are you having trouble with, perhaps I can help.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
StovePipe - 09 Nov 2005 02:39 GMT
W_B sed:
What does continuing ed have to do with it ?
Didn't they teach this in Kanadian Dental ?

What are you having trouble with, perhaps I can help.
--
I always liked prosthesis, but I was always the last in to get my stuff
approved and always the last to get case acceptance in school. One of
the prosthos who coached me over the two clinical years told me that if
I wanted to do more than starve, I should limit my prosthetics to the
easy stuff, as I would take too long and too many appointments to do it
well. He said my patients would eventually complain and go somewhere
else. Not because the work would be bad (I wouldn't cook a denture
until the occluding and phonetics  fit well, and I woudn't ask for
final payment until it sat well with no sore spots). It just seemed to
me that there was always something in every case I did that I should
not have overlooked, and which resulted in making the case take longer
than it should have. I also disagreed with him on every case as to what
the vertical dimension should be and what the centric relation was.

So in a nutshell, I liked Removable, but it doesn't like me. You need a
good, practiced eye to be able to see the free way space as it should
be, support of the lips and cheeks, keep the teeth over the ridges, and
develop acceptable phonetics, all on well-adjusted wax occlusion rings.

IMO, that kind of operation (a practice based on Removable) is not
going to get me out of our financial straights.

Thanks
SP
W_B - 09 Nov 2005 16:13 GMT
>W_B sed:
>What does continuing ed have to do with it ?
[quoted text clipped - 4 lines]
>I always liked prosthesis, but I was always the last in to get my stuff
>approved and always the last to get case acceptance in school.

>One of
>the prosthos who coached me over the two clinical years told me that if
>I wanted to do more than starve, I should limit my prosthetics to the
>easy stuff, as I would take too long and too many appointments to do it
>well. He said my patients would eventually complain and go somewhere
>else.

Nothing quite like good ole dental school confidence building.

>Not because the work would be bad (I wouldn't cook a denture
>until the occluding and phonetics  fit well, and I woudn't ask for
>final payment until it sat well with no sore spots).

An unpaid for denture never fits.
This is not in anyone's best interest.

>It just seemed to
>me that there was always something in every case I did that I should
>not have overlooked, and which resulted in making the case take longer
>than it should have.

How long should a case take ?

>I also disagreed with him on every case as to what
>the vertical dimension should be and what the centric relation was.

Base VDO on profile, and forget CR.
If you get the profile right CR will be there.

>So in a nutshell, I liked Removable, but it doesn't like me. You need a
>good, practiced eye to be able to see the free way space as it should
>be, support of the lips and cheeks, keep the teeth over the ridges, and
>develop acceptable phonetics, all on well-adjusted wax occlusion rings.

Now are we talking about RPD or Complete Dentures here ?

You sound like you have the concepts but are making this harder
than it really is. I was lucky in knowing two docs who graduated
in the 60's who showed me how easy CD's could be constructed
with a few tricks. Teeth directly over ridges is not always the correct
postition especially in resorbed cases, my tech and me tend to go
for the neutro-centric style of set-up for CD's, it works well.

Phonetics such as sixty-six and missippi are good for judging
freeway space and 'S' sounds. The rest of the phonetics
will be done by the patient after wearing the completed prosthesis
for a while, usually no longer that 2 - 3 weeks but many times
within days.

> IMO, that kind of operation (a practice based on Removable) is not
>going to get me out of our financial straights.
>
>Thanks
>SP

--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Grumpy richard - 07 Nov 2005 13:52 GMT
For the record... I have *plenty* of posterior teeth.  All of 'em.
Sorry for the rotten photo.

> Now, hold on there, guys: Look closely at that photo: Do youse see any
> white stuff inside the mouth? _I_ sure don't.... He ain't got no
[quoted text clipped - 49 lines]
>>>>to look for the latero-protrusive bracing positions where you work this
>>>>spot with the lower tooth and carefully recontour some teeth.
StovePipe - 08 Nov 2005 12:33 GMT
11. Grumpy richard
7 nov 08:52   afficher les options

Groupes de discussion : sci.med.dentistry
De : Grumpy richard <grumpyrich...@no.junk.please.grumpyrichard.com> -
Rechercher les messages de cet auteur
Date : Mon, 07 Nov 2005 08:52:16 -0500
Local : Lun 7 nov 2005 08:52
Objet : Re: Crown or Fill?
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abusive

For the record... I have *plenty* of posterior teeth.  All of 'em.
Sorry for the rotten photo.
============

Then I stand corrected on that count, and it is _I_ who look like a
trout-faced haddock stuck to the middle of some dart board in some
obscure pub in Leeds.....

Sorry........ :-/

My advice would change somewhat;

Get your dentist to take full impressions in VinylPolySiloxane
material, pour up the models and articulate them in his hands.
Carefully move them around each other in small circles and feel the
areas of interference through the models into his fingers. He should
mark these interferences with a red felt marker. Now, he should file
those interferences with a lab knife, and keep going marking and filing
like this until the models slide over each other with out interference.

When looking at the models, you see round red marks around where the
interferences were, but now the tips have been eliminated. The next
step is to do _some_ of that work in the real mouth (Only the most
obvious ones, and maybe even just one at a time). Have him correct the
most important interferences and stop there. He should let you go and
evaluate things for awhile.

When you come back, he takes models again, and he evaluates the
interferences he finds now with the original models he took in your
mouth. When the mouth is accepable wrt interferences, your filling will
probably be better off wrt retention.

I hope that DrS will correct me if there is a major flaw in what I've
said here, but that is how I understand this technique, and that is how
I apply it. You must work out a fair fee for this with your dentist.

One thing to look for immediately upon such a scenario is the back
contacts of the teeth. If you have a back tooth that is angulated
forward, or only a part of that tooth angulated forward, it  can tend
to push the mandible forward and that will put undue force onto your
front teeth. This happens typically when a back tooth has been recently
(or even not so recently) restored, and there is a contact that is not
necessarily high, but on a forward angle.

Regardless, you will need protection for that tooth during the night
time (as you can well see, it is not caries that caused this filling to
drop out and enlarge, it is a weak tooth taking too much force.

Again, HTH, and sorry to treat you as one of the .... individuals...
that I see often in my practice (and on which I waste no more time).

BTW why does Google make me post twice??????

Cheers
SP
Dr. Steve - 08 Nov 2005 13:04 GMT
I would add that the dentist needs to nunt for the latero-protrusive
bracing positon prior to modifying the models.  Recurrent fractures on
anterior teeth are often the fulcrum for this bracing postion.  The
dentist has to plan the occlusal adjustment iwth this in mind.
Remember that the mandible can flex a fair bit, so just grinding the
anterior spot out of passive occlusion will not be enough.  You have
to owrk around elininating the tripod used for the laero-protrusive
bracing postion as well as its fulcrum.

SM

> 11. Grumpy richard
> 7 nov 08:52   afficher les options
[quoted text clipped - 64 lines]
>Cheers
>SP

```````````````````````
Stephen (What's a temporary?)
~~~~~~~~~~~~~~~~~~~~~
W_B - 02 Nov 2005 16:55 GMT
>I'm looking for some advice from this esteemed group...
>
[quoted text clipped - 14 lines]
>
>Al

Consider a porcelain veneer.
These are usually best matched in pairs.

Noticed that the other central has a chip in the corner.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Joel M. Eichen - 03 Nov 2005 04:01 GMT
>I'm looking for some advice from this esteemed group...
>
[quoted text clipped - 7 lines]
>popped out pretty quickly (one in 24 hours, one in a few weeks, even
>though I was being careful with it).

Get a dentist who is better versed in adhesion dentistry ......

>My question: is it reasonable to expect a filling to hold here?  Or
>should I go with a crown?
>
>Thanks!
>
>Al
Sue - 03 Nov 2005 21:36 GMT
Get a dentist who is better versed in adhesion dentistry ......
**********************************************************************

I think Cremona might be well-versed.  Didn't he write the theme song?

-Sue
Amatus Cremona - 03 Nov 2005 22:28 GMT
> I think Cremona might be well-versed.  Didn't he write the theme song?

Still working on the score right now.

Signature

/

Amatus

/

> Get a dentist who is better versed in adhesion dentistry ......
> **********************************************************************
>
> I think Cremona might be well-versed.  Didn't he write the theme song?
>
> -Sue
Joel M. Eichen - 03 Nov 2005 23:44 GMT
>> I think Cremona might be well-versed.  Didn't he write the theme song?
>
>Still working on the score right now.

No score ... yet ........ this is the hygienist thread, right?
Alexander Vasserman DDS - 04 Nov 2005 07:54 GMT
The lateral has a large fill as well.
Looks like you have the right genetics for being prone to decay and gum
disease.
Oral hygiene is not that hot either. (I know you try, but the gums
should look a lot better and there should not be so much plaque on the
teeth. It is possible the plaque is preventing getting a good bond.)
I think you are better off with 4 crowns (ie the 4 teeth between your
upper eye teeth (canines).
The crowns will at least hide the restorative material tooth junction
slightly below the gums out of reach of the elements as one might say.
Joel M. Eichen - 04 Nov 2005 10:06 GMT
We call this a Class IV restoration and it can be restored with a
composite. The trick is a large bevel and solid etching. Composite
sticks to (adheres to) enamel extremely well, and adheres to dentin
less well.

This is why it pops off!

Joel

>I'm looking for some advice from this esteemed group...
>
[quoted text clipped - 14 lines]
>
>Al
Amatus Cremona - 04 Nov 2005 23:27 GMT
>This is why it pops off!

I disagree with the esteemed JmE. It probably fails due to occlusal
disease.

Amatus

>We call this a Class IV restoration and it can be restored with a
>composite. The trick is a large bevel and solid etching. Composite
[quoted text clipped - 23 lines]
>>
>>Al

..

Amatus

.
StovePipe - 05 Nov 2005 01:22 GMT
16. Amatus Cremona
------------------------
>This is why it pops off!
---------------------------------
I disagree with the esteemed JmE. It probably fails due to occlusal
disease.

Amatus
---------------------
I have to agree with AC here: a beveled edge won't do it: Too much
destructive forces. I would do a chamfer that starts real shallow at
the broken edge, and gets gradually deeper as it approaches the
opposite (intact) transition line angle. This is to get some material
thickness, but as JME says, it has to stay in the enamel for best
retention. I would do the same thing on the lingual, but shorter; maybe
the mesio-distal thickness of the carbide steel 1157 bur that I would
use to do the chamfer. I would then place an automatrix loosely with
wedges and/or a plastic filling instrument into the proximal to seal it
in and zap the whole tooth the Danville MicroEtcher II-A, fully
autoclavable, to get increased retention everywhere. If I was going to
build it up with a matrix in place, I'd change the one that was there
(to protect the gums and adjacent teeth) because it gets etched by the
sand as well. When applying the composite, I'd not bulk-cure it. I'd
add a little bit, cure for 20 seconds, etc etc etc and in that way get
rid of as much of the contraction stress as possible.
I would prolly do all this without anesthesia, as there is very
probably little or no life left in that tooth, and so he'd be able to
evaluate the occlusion right away. At any rate, once the hybridized
layer of bonding stuff woudl be laid down, he'd have no more cold
sensitivity.....

Do not forget that when the filling "popped out" of the OP's tooth, it
took some tooth material with it.... Does this not say something to
all-a youse?. If 'dat tooth ain't _daid_ it sure ain't Poing Poom Check
either....

In this way, I'd stand less of a chance of looking like a trout-faced
haddock stuck to a dart board in some obscure bar in Leeds when the
patient came back with it broken..... I'd say: Do you remember how much
time we took to do that thing right?????? Preparing the tooth;
sandblasting.... bonding and adding the stuff a bit at a time.....
Adjusting.... But you didn't buy the idea of an NTI, did you? Did you
go look at the web site like I asked you to???? Yes it's in English,
but it's not difficult English..... and I told you I'd explain anything
you didn't understand.....

BUT NAAAAAAHHHHHHH!!!!!!!!!!!

.... why am I saying all this?????????? Y'all know how to do this 10
times as better'n I do.......

<the Pipe rises to go take a leak..... while washing his hands, he
looks up at hisself in the mirror: YEP, he looks JUST LIKE a
trout-faced haddock stuck to a dart board in some obscure bar in
Leeds... >

<The Pipe heaves a mighty sigh.....>
SP

==========================
<joeleic...@yahoo.com> wrote:
>We call this a Class IV restoration and it can be restored with a
>composite. The trick is a large bevel and solid etching. Composite
>sticks to (adheres to) enamel extremely well, and adheres to dentin
>less well.

>This is why it pops off!

>Joel

>On Wed, 02 Nov 2005 07:30:30 -0500, Alan Cohen
><a...@no.junk.please.cornell.edu> wrote:

>>I'm looking for some advice from this esteemed group...

>>I had a small filling in one of my front teeth, which popped out, taking
>>a nice triangular chunk of tooth with it; I put up a lovely out-of-focus
>>picture at:

>>http://cobelle.org/node/1

>>My dentist has tried to fill it twice, but both times the replacement
>>popped out pretty quickly (one in 24 hours, one in a few weeks, even
>>though I was being careful with it).

>>My question: is it reasonable to expect a filling to hold here?  Or
>>should I go with a crown?

>>Thanks!

>>Al

..

Amatus

.
Amatus Cremona - 07 Nov 2005 19:41 GMT
>When applying the composite, I'd not bulk-cure it. I'd
> add a little bit, cure for 20 seconds, etc etc etc and in that way get
> rid of as much of the contraction stress as possible.

Anybody stop to figure out how much difference in contraction strength there
is between incremental build-up and bulk fill ?  You still have the same
amount of internal stress regardless of the thickness of the increment.

Signature

/

Amatus

/

> 16. Amatus Cremona
> ------------------------
[quoted text clipped - 93 lines]
>
> .
W_B - 07 Nov 2005 20:49 GMT
>>When applying the composite, I'd not bulk-cure it. I'd
>> add a little bit, cure for 20 seconds, etc etc etc and in that way get
[quoted text clipped - 3 lines]
>is between incremental build-up and bulk fill ?  You still have the same
>amount of internal stress regardless of the thickness of the increment.

Cover the floors and walls with flowable and cure.
Pack in Z 250 with finger or thumb, contour with a burnisher.
Cure the lot, trim and finish.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Amatus Cremona - 08 Nov 2005 12:56 GMT
> Cover the floors and walls with flowable and cure.
> Pack in Z 250 with finger or thumb, contour with a burnisher.
> Cure the lot, trim and finish.

Why cure the flowable separately?

Signature

/

Amatus

/

>
>>>When applying the composite, I'd not bulk-cure it. I'd
[quoted text clipped - 14 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com
Dartos - 08 Nov 2005 13:50 GMT
Not that you have total control over how shrinkage will occur,
but keeping the first layer of flowable on dentin is meant to
enhance the strength at the dentin/composite interface.  In theory,
if some of the composite were in contact with enamel (or even a
big blob of shrinking/curing composite), the dentin bond may be
less secure.

After the first cure, I place the main composite into a small
amount of 'wet' flowable and cure together.  Most of the flowable
gets forced out of the prep, but this ensures that I haven't
left any small voids that the thicker composite might not easily
fill.

Dartos

>>Cover the floors and walls with flowable and cure.
>>Pack in Z 250 with finger or thumb, contour with a burnisher.
>>Cure the lot, trim and finish.
>
> Why cure the flowable separately?
Amatus Cremona - 08 Nov 2005 14:41 GMT
>  keeping the first layer of flowable on dentin is meant to
> enhance the strength at the dentin/composite interface.  In theory,
> if some of the composite were in contact with enamel (or even a
> big blob of shrinking/curing composite), the dentin bond may be
> less secure.

You may be right.  As of yet, we have mostly just theories on how to do this
best.  I like a layer of flowable to wet the surface and prevent voids.  I
think bonding strength is much more dependent on the interface of BA than to
the filler content of the composite touching the BA.  My personal take is
that, if you coat the entire surface with flowable, then push the filled
resin against it, you are still going to get a thin layer of composite
against the tooth surface.  I don't think you can push it all out of the
way.  What you end up with is a thinner layer of flowable as the excess
tends to push to top of the preparation.  Just my take on it.  Pushing
hundreds of ceramic onlays to place gives me lots of opportunity to watch
this happen, as well.

I am not saying I am right and you are wrong, just expressing my view of it.

Signature

/

Amatus

/

> Not that you have total control over how shrinkage will occur,
> but keeping the first layer of flowable on dentin is meant to
[quoted text clipped - 16 lines]
>>
>> Why cure the flowable separately?
Dartos - 08 Nov 2005 16:03 GMT
We're just splitting hairs.  I have no argument with your stance.

D

> I am not saying I am right and you are wrong, just expressing my view of it.
Amatus Cremona - 08 Nov 2005 17:02 GMT
> We're just splitting hairs.  I have no argument with your stance.

Then, what are we going to get into an argument over, then go buy a couple
of drinks to settle up ?

Signature

/

Amatus

/

>
> We're just splitting hairs.  I have no argument with your stance.
[quoted text clipped - 3 lines]
>> I am not saying I am right and you are wrong, just expressing my view of
>> it.
StovePipe - 09 Nov 2005 02:55 GMT
Ammmmmmmmmmmmmatus sayeth:
What you end up with is a thinner layer of flowable as the excess
tends to push to top of the preparation.  Just my take on it.  Pushing
hundreds of ceramic onlays to place gives me lots of opportunity to
watch
this happen, as well.
I am not saying I am right and you are wrong, just expressing my view
of it.
Amatus
++++++++++++++++

So does this mean that you use flowable under your heated Z100 or am I
all at sea here?

There is a relatively easy way to demostrate the above: I'm gonna get
some extracted tooths and cut off the roots and etch and bond and flow
and hybrid and cure with and w/o curing the flowable layer first and
etc and then hit 'em with a hammer: we'll see which format SPLATS the
most.

OK, it is not scientific, but if the cavity sizes are similar, it
should give an idea which way gives the best seal.

<the Pipe puts on an old Peter Gabriel song>

You could be a speed train.....

SP
Amatus Cremona - 09 Nov 2005 12:26 GMT
> So does this mean that you use flowable under your heated Z100

yes.  I probably don't need it, but using it allows me to see that the tough
parts of the prep (for the resin to reach) are wet with composite of some
sort.  Due to the viscosity difference, the flowable gets mostly pushed out
of the preparation as the onlay is pushed in.  I see it as a wetting agent
only in this case.

Signature

/

Amatus

/

> Ammmmmmmmmmmmmatus sayeth:
> What you end up with is a thinner layer of flowable as the excess
[quoted text clipped - 24 lines]
>
> SP
StovePipe - 09 Nov 2005 13:12 GMT
> > So does this mean that you use flowable under your heated Z100
>
[quoted text clipped - 3 lines]
> of the preparation as the onlay is pushed in.  I see it as a wetting agent
> only in this case.

OK, thanks
SP
Stovepipe - 19 Nov 2005 04:46 GMT
> > So does this mean that you use flowable under your heated Z100
>
[quoted text clipped - 3 lines]
> of the preparation as the onlay is pushed in.  I see it as a wetting agent
> only in this case.

You know, you could try this: put a Cavitron on the onlay and vibrate it
abit at low power with no water. I'm willing to bet the material has
thixotropic properties like wet stone does, and so vibrating it will
make it flow. So vibrating it before light curing would tend to fill in
the voids without the need for flowable. I'm gonna try that and I'll
report back on what happens. Perhaps even better would be to put a
pneumatic Am plugger on it, if you have one of those.
SP

Signature

Take out the TRAASH to reply

W_B - 21 Nov 2005 17:13 GMT
> Perhaps even better would be to put a
>pneumatic Am plugger on it, if you have one of those.
>SP

Have seen Amatus use it IRL.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Amatus Cremona - 21 Nov 2005 21:24 GMT
> Have seen Amatus use it IRL.

Just did it again about 10 minutes ago.  Back in the previous century, I
used the amalgam vibrators for packing amalgam cores really tightly.  You
would be amazed at how well amalgam condenses with one of those toys.  It
does not reciprocate like the old gold foil condensers or the Profin
handpiece, but vibrates like a lab vibrator for pouring models or like the
device the masons use to make sure all the concrete is settled to the bottom
of the form with no voids.  With the rubber tip, it becomes perfect for
seating indirect restorations.

Signature

/

Amatus

/

>
>> Perhaps even better would be to put a
[quoted text clipped - 7 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com
Stovepipe - 22 Nov 2005 06:01 GMT
> With the rubber tip, it becomes perfect for
> seating indirect restorations.

I shall endeavor to undertake the proceedings of the task of drafting a
proposal to procure one of those things; perhaps on eBay....

I don't think they still make them... for the Saab or otherwise...

Thanks
SP
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Take out the TRAASH to reply

Amatus Cremona - 22 Nov 2005 12:33 GMT
> I don't think they still make them... for the Saab or otherwise...

With autoclaving, the center contra-angle fitting tends to wear out and
eventually the threads will no longer hold the parts together tightly.  So ,
I have to order a new one about once a year.  I keep 4 of them on hand (to
eliminate waiting time in the autoclave).  I order them from Patterson.
They take 2-15 days to come in depending on the phase of the third moon
around Saturn.

Signature

/

Amatus

/

>
>> With the rubber tip, it becomes perfect for
[quoted text clipped - 7 lines]
> Thanks
> SP
Stovepipe - 23 Nov 2005 06:39 GMT
> > I don't think they still make them... for the Saab or otherwise...
>
[quoted text clipped - 4 lines]
> They take 2-15 days to come in depending on the phase of the third moon
> around Saturn.

A-Ha.... then I shall order them when the Moon is in the Seventh House,
and Jupiter lies with Mars... then Peace shall guide their Planet... and
love will fill the stars....

Gawd were we naive....

PS: if you use real good binoculars, on a cold night, where there's not
too much ligh pollution, you should see a couple of the moons around
Jupiter. Saturn? I think you'd need a real telescope, powered by a
carious SUV.
SP
Signature

Take out the TRAASH to reply

Amatus Cremona - 23 Nov 2005 12:30 GMT
> PS: if you use real good binoculars, on a cold night, where there's not
> too much light pollution, you should see a couple of the moons around
> Jupiter. Saturn? I think you'd need a real telescope, powered by a
> carious SUV.

Here in Cancun, Mx, there are too many lights from all the street lamps and
shopping centers.  I can barely count 5 stars in the evening sky.

Signature

/

Amatus

/

>
>> > I don't think they still make them... for the Saab or otherwise...
[quoted text clipped - 19 lines]
> carious SUV.
> SP
Steven Bornfeld - 23 Nov 2005 13:50 GMT
>>PS: if you use real good binoculars, on a cold night, where there's not
>>too much light pollution, you should see a couple of the moons around
[quoted text clipped - 3 lines]
> Here in Cancun, Mx, there are too many lights from all the street lamps and
> shopping centers.  I can barely count 5 stars in the evening sky.

Amatus--

    I would think all the moving around you're doing lately would play
havoc with the musical instruments, esp. with the different climates.
    Do you have some of them new-fangled custom cases with the high-tech
hoooomidity control?

Steve
Amatus Cremona - 23 Nov 2005 14:36 GMT
> I would think all the moving around you're doing lately would play havoc
> with the musical instruments, esp. with the different climates.
> Do you have some of them new-fangled custom cases with the high-tech
> hoooomidity control?

Humidistat in the case only.  I use a Dampit right now as the house has hot
water heat which ends up creating dry air.  The Dampit is sort of a pain,
since you have to saturate it every time you put your instrument away.  Time
to replace the old humidifier in the back of the house.  I just ordered an
electric instrument with head-phones.  I hope to be able to get some
practice time at the office on those extra long lunch hours, which come up
once in a while.  The electric should not have any response to humidity at
all.  If it works out well, I can use that one for practice while traveling.
No one wants to hear someone practice, as that is the time you work out
tones and techniques, not very pleasant to listen to.

Just put a set of Tomastik Infeld Red-Label strings on the "free" Strad-Copy
this week.  Very nice soft tone.  Any string which is advertised as having
"brilliant" sound comes out too loud and almost harsh on that instrument.
This is the third set of strings I have put on this instrument.  Each time,
I am able to get the sound a bit closer to what I want.  Amazing how a 70
year old hunk of glued together wood can make so much noise.  I timed it the
other day, and the body actually resonates sound for about 30 seconds after
you stop playing, especially on the "G" string.  The old Amati-Copy
instrument just will not project from the bass half .  The treble half does
project great sound.  There are a couple of repaired cracks in the belly.  I
suspect the one closer to the bass-bar is not repaired well and preventing
the sound from traveling from the bridge to the bass-bar, then out to the
belly of the instrument.  I had to move the sound post in front of the
bridge to get any sound from the bass side.  Before moving the sound post,
the "D" and "G" strings sounded like there was an ebony mute on the bridge.
It needs to visit the luthier soon.  The rather new Knilling instrument
(also a Strad-Copy) is such a thick instrument, that humidity changes have
less effect on it.  The Knilling has a slightly "flat" sound to it, so I
plan to trade up that one this winter.

I do notice that the Tomastik strings seem to require less re-tuning than
the D'adarrio strings did.  I have an Obligato gold "E" string I want to
try.  It is supposed to have a "soft" sound .

You guitar guys go through more effort getting strings to match your
instrument, don't you ?  Do you change strings to match the music you are
playing ?  Once we get an instrument to perform on a particular combination
of strings, that instrument will basically always get those same strings for
as long as the strings are still made.  Some string players will change
instruments for playing in a concert hall or a small room.

Signature

/

Amatus

/

>
>>>PS: if you use real good binoculars, on a cold night, where there's not
[quoted text clipped - 13 lines]
>
> Steve
W_B - 23 Nov 2005 16:13 GMT
ato gold "E" string I want to
>try.  It is supposed to have a "soft" sound .
>
[quoted text clipped - 4 lines]
>as long as the strings are still made.  Some string players will change
>instruments for playing in a concert hall or a small room.

Not so much on an electric as the tone largely comes from the
pick-ups. The vibration of the body certainly plays a large part
in the tone of an electric, but there's not much you can do
to change that <hehe>.

I use a heavier gauged set than most electric players, and
to my ear there is a 'beefier' tone.

SB should be able to advise you on classicals.

Steel string acoustic tone is more dependant on the
bracing and top than the string IMO.
I look for a long lasting string (tone dies on fretted instruments
due to flat spots worn into the string from the frets)
So you have to balance string wear v. fret wear.
D'Addario still my preference.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Amatus Cremona - 23 Nov 2005 17:05 GMT
> Steel string acoustic tone is more dependant on the
> bracing and top than the string IMO.
> I look for a long lasting string (tone dies on fretted instruments
> due to flat spots worn into the string from the frets)
> So you have to balance string wear v. fret wear.
> D'Addario still my preference.

At least I don't have to deal with flat spots.  Tone dies when the string
will no longer hold tension.  It will be interesting to see how long this
very fine "E" string pulled from a gold alloy will last.

Signature

/

Amatus

/

> ato gold "E" string I want to
>>try.  It is supposed to have a "soft" sound .
[quoted text clipped - 29 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com
W_B - 23 Nov 2005 17:57 GMT
>> Steel string acoustic tone is more dependant on the
>> bracing and top than the string IMO.
[quoted text clipped - 6 lines]
>will no longer hold tension.  It will be interesting to see how long this
>very fine "E" string pulled from a gold alloy will last.

Had some gold alloy strings long time ago.
They lasted a very long time, no corrosion.

Expensive to replace.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Amatus Cremona - 23 Nov 2005 18:22 GMT
> Had some gold alloy strings long time ago.
> They lasted a very long time, no corrosion.
>
> Expensive to replace.

With the tension on the "E" string, I figure it will lose tone eventually
from stretching out.  Gold seems to have less elastic memory than the other
metals.  So far, the "E" string has been in tune every time I pick it up.
While the "A", "D", and "G" strings all have needed a slight tightening when
I take it out of the case.  These are bout $16-$20 each.

Signature

/

Amatus

/

>
>>> Steel string acoustic tone is more dependant on the
[quoted text clipped - 17 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com
W_B - 23 Nov 2005 18:37 GMT
>> Had some gold alloy strings long time ago.
>> They lasted a very long time, no corrosion.
[quoted text clipped - 6 lines]
>While the "A", "D", and "G" strings all have needed a slight tightening when
>I take it out of the case.  These are bout $16-$20 each.

Think that the strings I had were gold plated steel.
With a very thick plate though it never seemed to
wear off except in the fret positions.

Could be composite metalurgy.

Have a good TG.
Well, at least a nice book to read. :-0
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Amatus Cremona - 23 Nov 2005 20:11 GMT
> Have a good TG.
> Well, at least a nice book to read. :-0

Thank you.  My best to you and the ladies.  Wish we were sharing this time
together.

I am bringing my tablet which has about 30 books down-loaded on eReader
format.  I have about 30 CD's on my iPod as well.  I wish I could bring an
instrument.  The niece's husband (whose house this will be at) is a school
teacher who also teaches marching band.  I am not looking forward to driving
2-3 hours North of home to get there in this snowy weather.  Especially
since we will be taking the wife's red car rather than the SUV.

Signature

/

Amatus

/

>
>>> Had some gold alloy strings long time ago.
[quoted text clipped - 23 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com
Mark & Steven Bornfeld - 23 Nov 2005 21:23 GMT
>>Had some gold alloy strings long time ago.
>>They lasted a very long time, no corrosion.
[quoted text clipped - 6 lines]
> While the "A", "D", and "G" strings all have needed a slight tightening when
> I take it out of the case.  These are bout $16-$20 each.

    For classical guitars, the third "G" string is usually the biggest
problem.  Tends to have more dead spots, get out of tune, etc.  I'm not
sure why, but it's not just me.

Steve

Signature

Mark & Steven Bornfeld DDS
http://www.dentaltwins.com
Brooklyn, NY
718-258-5001

W_B - 23 Nov 2005 23:16 GMT
>    For classical guitars, the third "G" string is usually the biggest
>problem.  Tends to have more dead spots, get out of tune, etc.  I'm not
>sure why, but it's not just me.
>
>Steve

Most often played string perhaps ?

3rd is fretted in most chording ?

Dunno...

--
W_B

wubbabubbazG@RBAGEyahoo.com
Take out the G'RBAGE
Mark & Steven Bornfeld - 24 Nov 2005 00:42 GMT
>>    For classical guitars, the third "G" string is usually the biggest
>>problem.  Tends to have more dead spots, get out of tune, etc.  I'm not
[quoted text clipped - 13 lines]
> wubbabubbazG@RBAGEyahoo.com
> Take out the G'RBAGE

    I've heard that some steel string sets have unwound G strings, but
obviously most are wound.  Classical G strings are unwound.  I don't
know the rationale for winding the lower strings, but obviously the G
string is right in the middle, and probably neither wound nor unwound
does the job very well.  I think I've seen an explanation somewhere, but
I don't remember.  I'll try googling for it if I get the chance.

Happy Thanksgiving!

Steve

Signature

Mark & Steven Bornfeld DDS
http://www.dentaltwins.com
Brooklyn, NY
718-258-5001

W_B - 24 Nov 2005 00:56 GMT
>>>    For classical guitars, the third "G" string is usually the biggest
>>>problem.  Tends to have more dead spots, get out of tune, etc.  I'm not
[quoted text clipped - 10 lines]
>> --
>> W_B

>    I've heard that some steel string sets have unwound G strings, but
>obviously most are wound.  Classical G strings are unwound.  I don't
[quoted text clipped - 6 lines]
>
>Steve

On my electrics and SS acoustics I prefer an unwound 3rd.

As far as wound 4, 5, 6, would bet it goes back to the piano,
and some physics. Afterall, most people wouldn't call a piano
a 'stringed' instrument but technically it is.

Really doubt that an unwound low E (at the gauge required)
would be good in tonality, or comfortable to play.
Not to mention would it stay in tune.

There was a midi guitar a few years back that had nylon
strings all the same gauge; don't remember the manufacturer
but it wasn't a big hit.
Really weird to play, tensions were bizarre and just chording
resulted in string bend, muscle memory I guess...

Anyway happy Thanksgiving to you and your entire family.
Try to stay out of the nasty weather if you can.

--
W_B

wubbabubbazG@RBAGEyahoo.com
Take out the G'RBAGE
Mark & Steven Bornfeld - 23 Nov 2005 21:21 GMT
>>>Steel string acoustic tone is more dependant on the
>>>bracing and top than the string IMO.
[quoted text clipped - 16 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com

W B---

    Have you tried Elixirs, or any other coated strings?
    I bought a Baby Taylor a few years ago, and it came with Elixirs--they
really, really lasted.
    Some folks don't like the feel--they're a bit slick. They are also very
bright-sounding, which can sometimes be a drawback.  They're maybe the
price of 2 regular sets, but they last at least 5 times as long--at
least they have for me.  Too bad they don't make classical strings!

http://www.elixirstrings.com/

Steve

Signature

Mark & Steven Bornfeld DDS
http://www.dentaltwins.com
Brooklyn, NY
718-258-5001

W_B - 23 Nov 2005 23:15 GMT
>W B---
>
[quoted text clipped - 5 lines]
>price of 2 regular sets, but they last at least 5 times as long--at
>least they have for me.  Too bad they don't make classical strings!

Thanks for the tip, will try them out !

--
W_B

wubbabubbazG@RBAGEyahoo.com
Take out the G'RBAGE
Mark & Steven Bornfeld - 23 Nov 2005 16:45 GMT
>>I would think all the moving around you're doing lately would play havoc
>>with the musical instruments, esp. with the different climates.
[quoted text clipped - 42 lines]
> as long as the strings are still made.  Some string players will change
> instruments for playing in a concert hall or a small room.

    Yeah, you can go into the guitar newsgroups and see string arguments
all the time.  Just this week there was a discussion about new
(classical) strings stretching, whether to over-tune them to get them to
settle quicker.  While I hear of guitarists liking different strings on
different instruments, there tend to be advocates of one string over
another.  Some of the guitarists split sets--one brand for the wound and
another for the unwound strings.
    I would guess that a lot of the same manufacturers make guitar and
violin strings, though they may be sold under different names.  I use
D'Addario EJ45s, which are considered a pretty "neutral" sounding
string.  The generally available brands include Aranjuez, Augustine,
Galli, Hannabach, LaBella, Sarvaez, and Tomastik.  The non-classical
guys have a whole other set of brands.
    I don't use dampits.  I've heard of guys over-soaking them and having
them leak on the instrument.
    I bought a guitar last winter on ebay (!) and the seller was in
Florida.  He cautioned me to keep the guitar in its case and in the
carton for 24 hours before taking it out.  I did, and there were no
problems.

Signature

Mark & Steven Bornfeld DDS
http://www.dentaltwins.com
Brooklyn, NY
718-258-5001

Stovepipe - 25 Nov 2005 06:39 GMT
> Amazing how a 70
> year old hunk of glued together wood can make so much noise.

..... obviously, you've never had a recorder-like straight horn with a
piece of swamp-grass stuck in it, along with three or five resonating
poles stuck into and sewn into the dried out stomach of a yak,  and held
all that tucked under your arm as you fill this
'bladder-horn-grass-thing' with air through a pipe that keeps falling
outtta your mouth, as you try to finger the key holes on that f'ing
horn......

Welcome to the bagPipes, laddy....
SP
Signature

Take out the TRAASH to reply

Amatus Cremona - 25 Nov 2005 21:36 GMT
>> Amazing how a 70
>> year old hunk of glued together wood can make so much noise.

The new strings have finally broke in. The difference in sound is not
believable

>..... obviously, you've never had a recorder-like straight horn with a
>piece of swamp-grass stuck in it, along with three or five resonating
[quoted text clipped - 6 lines]
>Welcome to the bagPipes, laddy....
>SP

..

Amatus

.
W_B - 23 Nov 2005 16:01 GMT
>> PS: if you use real good binoculars, on a cold night, where there's not
>> too much light pollution, you should see a couple of the moons around
[quoted text clipped - 3 lines]
>Here in Cancun, Mx, there are too many lights from all the street lamps and
>shopping centers.  I can barely count 5 stars in the evening sky.

Here in Mx City the light pollution is even worse.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Stovepipe - 25 Nov 2005 06:39 GMT
> > PS: if you use real good binoculars, on a cold night, where there's not
> > too much light pollution, you should see a couple of the moons around
[quoted text clipped - 5 lines]
>
> --
.... Then drink some more Corona, without the lime... aftere about ten
or so, you should be able to see all the stars and moons you want....
and then you should be able to pass out and wake up in some gutter
without your pants, shoes, watch, wallet.....

Great Fun, that...
SP

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Take out the TRAASH to reply

Stovepipe - 22 Nov 2005 06:01 GMT
> > Perhaps even better would be to put a
> >pneumatic Am plugger on it, if you have one of those.
[quoted text clipped - 6 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com

I bet it was powered by one of the Saab's.
SP
Signature

Take out the TRAASH to reply

W_B - 22 Nov 2005 15:05 GMT
>> > Perhaps even better would be to put a
>> >pneumatic Am plugger on it, if you have one of those.
[quoted text clipped - 4 lines]
>>
>> W_B

>I bet it was powered by one of the Saab's.
>SP

The two stroke Saabs are lacking in enough horse power
for this application.

Ring        ding        ding   ding
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Philip Atooth - 22 Nov 2005 17:58 GMT
Trabant?

Signature

"""""
Philip Atooth     {Tooth mechanic extraordinaire}
""""

>>> > Perhaps even better would be to put a
>>> >pneumatic Am plugger on it, if you have one of those.
[quoted text clipped - 17 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com
StovePipe - 09 Nov 2005 02:43 GMT
Dartos explains:

After the first cure, I place the main composite into a small
amount of 'wet' flowable and cure together.  Most of the flowable
gets forced out of the prep, but this ensures that I haven't
left any small voids that the thicker composite might not easily
fill.
Dartos

So: the Big D explains in four lines what it took me a whole chapter to
say. Some people have the gift of clear thinking and therefore clear
writing.

Bravo
SP
Dartos - 09 Nov 2005 14:22 GMT
I've learned to expound when necessary, but I've always tended
to cut to the chase.  I remember an essay question in high school
where I answered in one paragraph.  The teacher gave me 3 out of
5 possible points.  He had a classmate read her answer (about a
page long) and explained how she had listed all five areas that
he wanted to have covered.

I reread my answer and I also had given all five points...just without
any fluff.  I raised my hand and asked the teacher if he would
tell me what I had missed with my answer.  After I read it aloud
to him he stuttered a little and gave me full credit.

We both learned a little that day.  I worked to become a better
writer and he started judging essay questions more on content
than style (this wasn't English class!).

:-)
Dartos

> Dartos explains:
>
[quoted text clipped - 11 lines]
> Bravo
> SP
Amatus Cremona - 09 Nov 2005 18:27 GMT
> I reread my answer and I also had given all five points...just without
> any fluff.  I raised my hand and asked the teacher if he would
> tell me what I had missed with my answer.  After I read it aloud
> to him he stuttered a little and gave me full credit.

Makes you wonder if he read it the first time

Signature

/

Amatus

/

>
> I've learned to expound when necessary, but I've always tended
[quoted text clipped - 31 lines]
>> Bravo
>> SP
Stovepipe - 19 Nov 2005 04:46 GMT
> We both learned a little that day.  I worked to become a better
> writer and he started judging essay questions more on content
> than style (this wasn't English class!).

But, unfortunately, it is ALWAYS English class!!!! You can be the best
thinker in the world, but if your message is esthetically and
grammatically unattractive, you will be ignored.

Same in dentistry isn't it? If you don't know how to communicate and
package your message, and if you don't know how to package and present
_yourself_ to your patient, you could be the best technician in the
world-- but you are still finishing last due to the English class
barrier.

I have alot of trouble in this area. I am learning to pause a few
seconds before answering a patient's question, to better compose my
verbal essay.

SP
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Take out the TRAASH to reply

W_B - 08 Nov 2005 18:04 GMT
>> Cover the floors and walls with flowable and cure.
>> Pack in Z 250 with finger or thumb, contour with a burnisher.
>> Cure the lot, trim and finish.
>
>Why cure the flowable separately?

To seal the deepest parts of the prep.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
StovePipe - 11 Nov 2005 13:01 GMT
W_B a écrit :

> >> Cover the floors and walls with flowable and cure.
> >> Pack in Z 250 with finger or thumb, contour with a burnisher.
[quoted text clipped - 4 lines]
> To seal the deepest parts of the prep.
> W_B
==============
Karl Leinfelter would say: to create an elastic layer that will
hopefully hold the bulk of composite stuck to the walls and floor as
the stuff shrinks on polymerization.

SP
Amatus Cremona - 11 Nov 2005 17:24 GMT
>Karl Leinfelter would say: to create an elastic layer that will
>hopefully hold the bulk of composite stuck to the walls and floor as
>the stuff shrinks on polymerization.

But, the same shrinkage and internal stress is in the flowable.  Once the
bulk is in place and hardened, the internal stress is a three-dimensional
shrinkage, regardless.

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Amatus

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W_B a écrit :

> On Tue, 08 Nov 2005 12:56:06 GMT, "Amatus Cremona" <Nicola@sottovocce.com>
> wrote:
[quoted text clipped - 7 lines]
> To seal the deepest parts of the prep.
> W_B
==============
Karl Leinfelter would say: to create an elastic layer that will
hopefully hold the bulk of composite stuck to the walls and floor as
the stuff shrinks on polymerization.

SP
Stovepipe - 19 Nov 2005 04:46 GMT
> >Karl Leinfelter would say: to create an elastic layer that will
> >hopefully hold the bulk of composite stuck to the walls and floor as
[quoted text clipped - 3 lines]
> bulk is in place and hardened, the internal stress is a three-dimensional
> shrinkage, regardless.

Not exactly: the bulk modulus of elasticity of FLOWABLE is much lower
than that of filled composite. That means it is more elastic ( it will
stretch more before it rips ). This is the whole idea behind using it as
the go-between layer. I think of it as an elastic diaper around the
filled composite interface.
SP
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Amatus Cremona - 21 Nov 2005 21:27 GMT
> Not exactly: the bulk modulus of elasticity of FLOWABLE is much lower
> than that of filled composite. That means it is more elastic ( it will
> stretch more before it rips ). This is the whole idea behind using it as
> the go-between layer. I think of it as an elastic diaper around the
> filled composite interface.

But it still has internal stress due to shrinkage.  Is it clinically
significant, maybe not.  However, I have yet to see a study showing me
conclusively that how you place the composite effects the  _final_  internal
stress of the restoration.  Maybe I have just missed them, or maybe they
have not been done.  How you place and cure the composite can have big
influence on getting each portion of it fully cured and get your contours
proper with no voids, but I don't see how it will have any effect on final
internal stresses.

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>
>> >Karl Leinfelter would say: to create an elastic layer that will
[quoted text clipped - 11 lines]
> filled composite interface.
> SP
Stovepipe - 22 Nov 2005 06:01 GMT
> How you place and cure the composite can have big
> influence on getting each portion of it fully cured and get your contours
> proper with no voids, but I don't see how it will have any effect on final
> internal stresses.

I don't doubt that this is true.

....BUT yo' moma still dresses ya funny!!!!
SP
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Amatus Cremona - 22 Nov 2005 12:34 GMT
> ....BUT yo' moma still dresses ya funny!!!!

Waaaaaahhh !

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Amatus

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>
>> How you place and cure the composite can have big
[quoted text clipped - 7 lines]
> ....BUT yo' moma still dresses ya funny!!!!
> SP
Stovepipe - 23 Nov 2005 06:39 GMT
> > ....BUT yo' moma still dresses ya funny!!!!
>
> Waaaaaahhh !

<the Pipe faces the Teacher: >  

Well _he_ started it!...

SP

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Amatus Cremona - 23 Nov 2005 12:31 GMT
> Well _he_ started it!...

I know you are, BUT WHAT AM I ?

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Amatus

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>
>> > ....BUT yo' moma still dresses ya funny!!!!
[quoted text clipped - 6 lines]
>
> SP
W_B - 23 Nov 2005 16:01 GMT
>> Well _he_ started it!...
>
>I know you are, BUT WHAT AM I ?

You're glue.
--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Amatus Cremona - 23 Nov 2005 16:59 GMT
> You're glue.

WaaaaHHHH  !   Mommy !          W_B is being mean to me again !

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>
>>> Well _he_ started it!...
[quoted text clipped - 7 lines]
> Take out the G'RBAGE
> wubbabubbazG@RBAGEyahoo.com
Ann - 23 Nov 2005 21:15 GMT
>>> Well _he_ started it!...
>>
>>I know you are, BUT WHAT AM I ?
>
>You're glue.

I am rubber you are glue.. aka Guybrush Threepwood...LOL

Ann
Dartos - 07 Nov 2005 21:03 GMT
My take on the issue (remember, I'm a stupid tooth carpenter <G>)
is that a 4 mm X 4 mm chunk of composite is going to have the same total
contraction whether it is cured in bulk or in 4 layers.

However, the way a composite may be layered can alter the
angles and amount of stress in the total restoration.

With over 20 years experience placing posterior composites, I
haven't found any real problem with bulk cure on small restorations.
I also don't go crazy with 1 mm increments in medium sized restorations.

I typically put a thin layer of flowable on the dentin, cure,
fill the proximal box up to the contact height, cure, one more
layer, cure, and finish.

On huge fillings, I will use not only more layers, but I will fill
sections of the prep and cure, rather than one whole layer at once.

Clinical results have been good.

JME,
Dartos

>>When applying the composite, I'd not bulk-cure it. I'd
>>add a little bit, cure for 20 seconds, etc etc etc and in that way get
[quoted text clipped - 3 lines]
> is between incremental build-up and bulk fill ?  You still have the same
> amount of internal stress regardless of the thickness of the increment.
W_B - 07 Nov 2005 21:17 GMT
You da man !

>My take on the issue (remember, I'm a stupid tooth carpenter <G>)
>is that a 4 mm X 4 mm chunk of composite is going to have the same total
[quoted text clipped - 18 lines]
>JME,
>Dartos

--

W_B
Take out the G'RBAGE
wubbabubbazG@RBAGEyahoo.com
Dartos - 07 Nov 2005 21:41 GMT
Kind of you to leave out 'old'.

:-)
D

> You da man !

> W_B
Amatus Cremona - 08 Nov 2005 12:57 GMT
> However, the way a composite may be layered can alter the
> angles and amount of stress in the total restoration.

I find layering in huge holes makes it easier to place.  I don't think it
make a bit of difference on the internal stresses.

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>
> My take on the issue (remember, I'm a stupid tooth carpenter <G>)
[quoted text clipped - 28 lines]
>> same amount of internal stress regardless of the thickness of the
>> increment.
StovePipe - 09 Nov 2005 03:31 GMT
Ammmmmmmmmmmatus annotated:

I  find layering in huge holes makes it easier to place.  I don't think
it
make a bit of difference on the internal stresses.
½½½½½½½½½½½½½½½½½½½½½½½½½½½½

But that's because you practice in (Stand Back....):

Camel Hump Wyoming,

nestled within the confines of beautiful Notrona County:

http://www.rootsweb.com/~wynatron/

And as the local Bis-GMAian Indian sages know, all reaonable laws of
Physics are suspended in Camel Hump.

That's OK        :-)

SP
Amatus Cremona - 09 Nov 2005 12:31 GMT
>And as the local Bis-GMAian Indian sages know, all reasonable laws of
>Physics are suspended in Camel Hump.

Internal stress due to shrinkage is a percentage of the bulk of the
material.  If you put it in one bulk increment and cure you have S x G% ("S"
being the width or height of the prep and "G" being the amount of shrinkage
for your material).  If you do bulk increments, you get (S/T x G&)T ("T"
being the number of increments you do).  The total internal stress due to
shrinkage is going to be the same.  You simply load the stress into the
tooth a little at a time.

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Ammmmmmmmmmmatus annotated:

I  find layering in huge holes makes it easier to place.  I don't think
it
make a bit of difference on the internal stresses.
½½½½½½½½½½½½½½½½½½½½½½½½½½½½

But that's because you practice in (Stand Back....):

Camel Hump Wyoming,

nestled within the confines of beautiful Notrona County:

http://www.rootsweb.com/~wynatron/

And as the local Bis-GMAian Indian sages know, all reaonable laws of
Physics are suspended in Camel Hump.

That's OK        :-)

SP
Dartos - 09 Nov 2005 14:41 GMT
From Peculiar, Missouri those stresses can be altered by the
placement of those increments.  If you placed each increment
in full horizontal layers, there would be little difference.

If some composite i