>http://tinyurl.com/63xmf
>
>Seeing is believing!
WHERE IS JAN DREW .. .when we need her?
Joel
****
M. Sue Benford is a registered nurse, health care researcher, and
Executive Director of a non-profit biomedical organization in Ohio.
Her education is diverse, from the in-depth study of religion to
pursuing scientific testing of unexplained paranormal phenomena, e.g.,
the Shroud of Turin, pyramid energies, alternative healing energies,
crop circles, and Spontaneous Human Combustion.
Benford's experiences with psychic phenomena are responsible for the
redirection of her life into the pursuit of spiritual enlightenment.
In 1997, she contacted Fr. Joseph Marino, a Benedictine Monk and
Catholic Priest at a St. Louis Abbey. Their divinely inspired meeting,
and subsequent joining as life partners, served a research liaison
that is credited with uncovering vital information leading to the
authentication of the Shroud and, quite possibly, proving the
existence of the soul.
Benford' s newly-released book entitled STRONG WOMAN:
Unshrouding the Secrets of the Soul is a real-life transformation
story full of hope, strength, encouragement, and inspiration that
culminates in the understanding that there is much more to our
existence than meets the eye. Visit Benford and Marino's website for
more information: www.unshrouding.com.
Their work with pyramids is best explained in the excerpt below from
Sue's book.
Excerpt from STRONG WOMAN: Unshrouding the Secrets of the Soul by M.
Sue Benford.
On March 5, 2001, I built a pyramid using standard poster quality
cardboard. My miniature pyramid measured 10 cm high with sides 15.7
cm. and a four-sided base of 9.5 cm each. I placed a dull
Exacto-knife razor blade on top of fresh, unexposed Kodak Ultra-speed
dental film. I decided that the dental film, securely encased in
protective coverings, might produce the charged particle tracks that
DelaWarr had recognized on his glass plates. I positioned the edge of
the razor blade so that it was facing West. The pyramid itself was
positioned so that the walls faced true North, South, East and West
while the corners aligned with NW, SW, etc.
On March 7, 2001, I added a 3 cm high cardboard box platform in the
center of the pyramid. I then placed the X-ray film and razor blade
on top of this platform, which was positioned in the center of the
pyramid.
According to DelaWarr, ". . . an ordinary. . . photograph of a person
would act as a 'link' for tuning-in to him, though not such a good
link as a blood specimen or a sputum slide." (Day/DelaWarr, 1956;
66). Would it be possible to use a Shroud of Turin photograph to get
an actual image of the person on the cloth or maybe something else
connected to that person? To test this, on March 8, 2001, I decided to
build a second pyramid according to the same specs I used on 3/5/01.
This time, however, I included a simple 1 by 1.5 inch real looking
Shroud-face photograph (the negative version) and laid it on top of
clean, dry linen provided to me by the late Shroud of Turin Research
Project (STURP) chemist, Al Adler. I put the photograph face down on
the cloth then put both (linen and Shroud picture) on top of a fresh,
unexposed Kodak Ultra-speed dental film (white, smooth side of plastic
film packet against the linen). All three objects - film, linen and
picture - were laid on top a 3 cm high cardboard box inside the
pyramid. The Shroud face was aligned to face West. The pyramid was
positioned so that the walls faced true North, South, East and West
while the corners aligned with NW, SW, etc. The final "ingredient"
was to focus intense "thought" on the apparatus demanding that an
image appear.
On March 15, 2001, I developed the film underneath the razor blade in
the first pyramid. It had been in the pyramid for 10 days and had
been undisturbed for 8 of those days. I followed the standard
instructions for manual developing of dental X-rays, which were
included on the packaging sent by Kodak. Incredibly, I could see a
faint image of the razor blade in the upper right hand portion of the
film. But even more incredibly, I also noticed the image of a strange
"fetal" image in the bottom left corner of film.
Where did this "fetal" image come from? Did it possess any of the
known characteristics of a fetus (either a real one or the etheric
DelaWarr fetus)? I sent the image of the "fetus" to optical physicist,
Robert Kersten, for his evaluation. I also asked him to determine
whether or not the image had any of the 3-D spatial encoding
characteristics of the Shroud and the DelaWarr images. He commented
that this image looked very similar to the one he had been shown from
the DelaWarr book of the 3 mo. old fetus. He also noted that this
fetus differed from DelaWarr's in that it appeared to have an
umbilical cord and placental sac attachment. More astounding, it also
had spatial encoding characteristics.
Next, I developed the X-ray from pyramid 2 that was under the Shroud
picture. The resultant image had an odd stream of "capillaries"
throughout the film. When fully fixed and dried, it looked like the
outline of the Shroud picture but with no discernible features. Even
more interesting, the linen, which had also in the pyramid for a week,
had two small yellowish-brown streaks! The small darkened areas
looked very similar to the discolored fibers on the Shroud itself.
I attempted to replicate the same experimental results with several
pieces of linen but, no matter what, I could not get any additional
discolorations on the cloth. Dental X-rays left in the pyramids,
however, consistently produced what appeared to be some kind of
charged particle tracks - similar to what repeatedly appeared on
DelaWarr's glass plates.
In order to find out what particle made these tracks, I sent several
X-rays to numerous leading particle track experts for identification.
I purposed did not tell the scientists what I had done to create the
tracks so that their reviews would be objective. The "blinded"
reviews I obtained came from experts at The Ohio State University
Nuclear Engineering department, NASA's Marshall Space Flight Center,
Argonne Labs, and the Rochester Institute of Technology (RIT). Dr.
Walter Fountain, of NASA writes, "The 'images' on these three X-ray
film samples do not have characteristics consistent with nuclear track
images in either a macroscopic view or a microscopic view that are
familiar to our knowledge and experience. . . We are convinced, after
detailed microscopic examinations . . .that the images referred to by
you as 'dots' and 'tracks' were not caused by the passage of nuclear
particles through the films." (via emails 5/9/01 and 5/10/01). The
OSU engineers, the Argonne staff and RIT, reached the same
conclusions. The tracks I had captured were of an "unknown" origin.
An important observation was made by Dr. Richard Hailstone of RIT who
noted, "I have not seen these 'dots' on films before. Since they can
be seen without magnification they are much larger than the specks we
see in our samples where a transmission electron microscope operating
at 7500-10,000 times magnification is needed. As they do not appear in
the background we can presume they only appear when the film is
exposed and processed." (via correspondence of 5/8/01) Dr. Hailstone
explained in a follow-up e-mail that, "If the dots are silver they
should be bleached back to silver ions in a [fixing] bath." (via
e-mail 5/11/01). This implies that a chemical alteration occurred in
the surface emulsion changing the chemical structure of the impacted
silver compounds.
I took the X-rays to OSU for testing with their high-tech scanning
electron microscopic (SEM). The results demonstrated that the exposed
region (with dots and tracks) contained trace amounts of sulfur,
magnesium and aluminum; whereas, the background region contained only
the expected carbon, nitrogen and oxygen. Whatever caused the dots and
tracks on the X-rays seems to have also created some differences in
the basic chemistry of the emulsion.
The experimental linen sample was taken to The Ohio State University
MARC Lab on March 27, 2001 to determine the chemical nature of the
discolored fibers using the SEM. What the tests showed was that in
every instance where discoloration was found on the linen, what
appeared to be crystalline calcium deposits also were present.
Mineralogists at OSU have since determined that these crystals were
calcite (calcium carbonate). Amazingly, these calcite crystals are
literally "growing" out of the fibers. They have stems rooted in the
surface of the fiber. Dr. Jim Downs, an OSU mineralogist has
hypothesized that a dehydration process was responsible for driving
the calcium from solution and into a growth process as calcite. This
seems a likely explanation.
Finding calcite in the experimental sample's discolored regions is
particularly pertinent when considering the Shroud image. Data from
the measurements taken of the Shroud in 1978, revealed nearly twice as
much surface calcium in the image areas of the Shroud as in the
"pristine" area of the cloth (Morris, Schwalbe, London, 1980; 44).
Ironically, Shroud skeptic and microscopist, Dr. Walter McCrone, may
provide some significant information about the existence of calcite
crystals on the Shroud. One of his SEM images demonstrated the same
rooted calcite crystal on a Shroud fiber as on my experimental linen
sample. The Shroud image was also known to be due to a dehydrating
process of the surface starch impurities.
Numerous X-rays from both pyramids revealed the same characteristic
dots and tracks as were noted in the previous experiments using both
the Russian axion generator and the mental-intention only protocols.
These latter experiments included several people of varying ages (7
years to 46 years). In one series of experiments, I asked each person
to lightly touch a fresh dental X-ray to his or her forehead while
holding a simple thought to "place something on film." They were to
keep the thought in their mind for one minute. The experiment was
repeated over a dozen times with similar results. In each test, small
areas of dots and tracks were produced on the developed films that
matched the pyramid tracks.
On April 15, 2001, I contacted optical physicist and imaging expert,
Dr. Bruce Maccabee, regarding the presence of the various images and
tracks seen on the X-rays. Dr. Maccabee was well known for his
interpretations of presumed UFO photographs. He was trained to
discern the truly unique from the simple mistakes often leading people
to wrong interpretations of their photographs. He responded that, "It
seems to me you are reporting images that are similar to those created
by Ted Serios many years ago. . . images created without use of
optics, as in an ordinary camera . . . A film image is a film image.
How it got there is not necessarily determinable from the image
itself. You are using dental film. This is black and white, I
believe. It would appear that some sort of penetrating radiation is
causing the chemical change in the film which allows for 'fixing' of
an image (non-chemically changed film chemical is washed away). Have
you tried this with Polaroid film? You can get single sheet pieces of
film that are used in Polaroid camera back attachments to cameras . .
.The film adapter has, built in, a pressure roller system that causes
the development of the film to any light, you would NOT pull the thick
paper cover from the film, but rather would put the target of interest
on or near the film just as you do with the dental film. After the
'exposure' you would simply pull the film piece out of the holder and
allow for development." (via email, 4/15/01)
During the months of April and May 2001, I purchased a 545 Polaroid
film holder that uses single 4 x 5 inch film and several packages of
Polypan 53 type film. I followed Dr. Maccabee's suggested protocol
while using a original positive photograph of the Shroud face. The
face was placed on top of the film holder, with film inside, while I
simply thought about putting the face on the film. Numerous trials by
myself produced nothing but, when I asked Joe, my boyfriend, to help
me with the experiments, we were able to produce three faint face-like
images. One looked more like the regular Shroud face while one looked
like a "Byzantine" coin image of Jesus.
To get some crucial third-party validation, on May 16, 2001, I sent
the most recognizable face photo to imaging specialist Brooks Corl, at
the Polaroid corporate headquarters, without disclosing the
methodology used or that the face used was the Shroud's. In an e-mail
response back to me after his evaluation, he writes, "Yes, I guess I
can see the trace of a 'face' you are referring to . . Considering
even the fully developed image is mottled and not fully saturated, I
think we should consider the possibility that your radiation source is
either too weak or of a 'marginal' wavelength that it doesn't fully or
easily penetrate the 4 x 5 film envelope." (via email, 5/16/01)
One day in late April, I pulled the original experimental linen sample
from its secure plastic bag to observe the discolored fibers. What I
observed was that the remaining discolored spots on the front of the
sample were now gone but, incredibly, a large "figure 8" discolored
area had now materialized on the back of the small sample! The sample
had been securely tucked away in total darkness since the testing at
OSU a month earlier. No one had touched it nor had it seen the light
of day. This discolored area looked even more like the discolored
fibers on the Shroud than had the previous smaller streaks. (Numerous
tests on the discolored fibers, including a one-to-one comparison with
actual Shroud image fibers by former STURP chemist, Dr. Ray Rogers,
have showed a remarkable correlation between my sample and the Shroud
image. More details can be found in the book.)
StovePipe - 04 Dec 2004 21:31 GMT
> On March 7, 2001, I added a 3 cm high cardboard box platform in the
> center of the pyramid. I then placed the X-ray film and razor blade
> on top of this platform, which was positioned in the center of the
> pyramid.
On 2 December, 2004, I, StovePipe, placed a dental X-ray film inside a
person's mouth. Upon positioning an X-Ray machine near the head of said
individual, after seating said individual, I activated the machine. It
went 'Bzzzzt' and then I re-entered the room. I took the film out of the
mouth and walked (using the technique of placing one foot in front of
the other and moving the body forward) to the developer machine placed
said film into said developing machine. This takes about 7 minutes, as
it is a PeriPro machine.
The earth had time to describe about 1.75 degrees, I think, of it's spin
about its axis during this process, and I respired many oxygen-nitrogen
molecul-ez during this time as well.
Our many somatic and neural cells respired and produced CO2 and H2O
during this process, and the radio played canned X-Mas songs. No
spontaneous combustion occurred, no spoons were bent, no apparitions
apparit-ed themselves, no gorill-as were gorill-in' and no mysterious
music came over the hyperspace wave dimensions.
Upon beseeching the individual to arise from his seat and walk, he did
so. No flying Beryllium was noted. No Laser rays penetrated the ether
from On High. We faced each other, said "Gionk" and went our separate
ways; he to the dental chair, me to the developer spoken of previously.
Clouds passed in the sky. A dog barked outside. A light snow was
falling. I started to hum along with the radio. The x-ray, newly
developed, dropped out of the developer, and I looked at it.
Lo, there were images of teeth, gumlines and osseous on said film. We
faced each other, said "Knoig" and I proceeded to commence the fillin'
of one of the teeth. When it was all over, the individual and myself
again faced each other, said "Pmmnfgmf" and he left to see the
secretary. She told him the price and he put his hands in his pocket.
Lo, his hand got stuck. He pulled and pull-ed and pul-led but still,
alas the hand was stuck.
'Not to worry, my good man...', I said, taking charge of the situation.
Say the magic words "A-LA peanut butter sandwich" as you pull and your
hand will come out forthwith.
He said the magic words, pulled, and pull-ed and pul-led, and then
'Splaaafff!!!' He succeeded in pulling out his hand, and his pocket, and
his leg, and his butt, and his other leg, and his torso etc etc right up
to his head--- ending up totally inside out.
'Not to worry, my good man...', I said, again, as I rolled and bounced
that total mess of an obligate aerobe-ery back into the treatment room.
I shoved the air/water syringe into about where his inside out arse in
reverse would be, and blew air. Blub blub blub.....
Sploooof.... POP! Out popped the individual, and his hand was finally
free of the pocket, with the exact amount of $$$ that the filling cost;
2.95$ Kannaaddiann dollarettes. We bowed to each other, said
"Kalloolfalla" and he went back out to complete the transaction.
Cha-CHING went the cash register. I casually mentioned to my assistant
(think Phillis Diller) that one day, I'd like to get an Interac machine,
as I was growing tired of reversing reversed inside out patients, and
people were talking.... Some had been permanently lost in the Alternate
Universe.
All in all, a really ordinary day... I sighed... One of these days, I'd
like to go and see one of the Docs on the SMD, and see some really cool
stuff go down...
Cheers
SP

Signature
Not a real Addy, yet
W_B - 05 Dec 2004 17:12 GMT
Bravo, bravo ! Hillarious !
Especially liked the sound effects.
Gionk
>> On March 7, 2001, I added a 3 cm high cardboard box platform in the
>> center of the pyramid. I then placed the X-ray film and razor blade
[quoted text clipped - 66 lines]
>Cheers
>SP
--
W_B
wubbabubbazG@RBAGEyahoo.com
Take out the G'RBAGE
StovePipe - 05 Dec 2004 18:48 GMT
> Bravo, bravo ! Hillarious !
>
> Especially liked the sound effects.
>
> Gionk
Glad you liked it. I got a charge out of the total ordinariness of the
first part, myself.
Cheers
SP

Signature
Not a real Addy, yet
W_B - 05 Dec 2004 19:25 GMT
>> Bravo, bravo ! Hillarious !
>>
[quoted text clipped - 6 lines]
>Cheers
>SP
But the dialog words were pure genius
Knoig,
--
W_B
wubbabubbazG@RBAGEyahoo.com
Take out the G'RBAGE